You r n am e: J ose p hin e K in g
Rit u al O bje ct
Id en ti f y t h e w ork o f a rt ( ti tle , d ate , m ed iu m , c u ltu re , l o ca tio n ):
Mask ette
?, 1 200-1 550, S to ne, A zte c , M ex ic o .
What Citation Formats Do You Support?
We hear “Can you write in APA or MLA?” all the time—and the answer’s a big yes, plus way more! Our writers are wizards with every style—APA, MLA, Harvard, Chicago, Turabian, you name it—delivering flawless formatting tailored to your assignment. Whether it’s a tricky in-text citation or a perfectly styled reference list, they’ve got the skills to make your paper academically spot-on.
In se rt a n I m age o f t h e w ork o f a rt b elo w ( in clu de t h e U RL):
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s i.e d u/id s/d eliv ery S erv ic e? m ax = 800& id = s://a m eric an in dia n .s i.e d u/w
eb m ultim ed ia /4 161/4 19/0 2.7 00×700.j p g
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Desc rib e a n d a n aly ze t h e s ty le , t e ch niq u e, a n d i c o n ogra ph y o f t h e a rtw ork .
Then , e x pla in h ow i t r e p re se n ts i ts c u ltu ra l c o n te x t:
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This w ork i s a m ask m ad e o f s to ne i n t h e A zte c c u ltu re . T he s e em in gly o pen
mouth , e y es, n ostr ils , a n d e ar h ole s a ll r e p re se n t t h e f ig ure s a b ility t o b e t o ta lly
open w it h t h e G ods a n d c o nnecte d w ith t h em . T he f ig ure i s m ost l ik ely n ot
pro porti o nally a ccu ra te d ue t o t h e a rti s t s a ccess t o t o ols a n d m ate ria ls t o c re ate a
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re alis tic l o okin g f a ce. T he p urp ose o f t h is m ask i s t o b e u se d d urin g r itu als w here
mem bers o f t h e t r ib e c o m munic a te w ith t h e G ods, n ot o nly t o a sk f o r w hat t h ey
may n eed b ut a ls o t o t h an k t h em . D urin g t h is t im e, i t w as v ery c o m mon f o r t r ib es
lik e t h e A zte cs t o r e ly o n t h eir G od(s ) f o r a n yth in g a n d e v ery th in g.
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Com pare t o a r e le va n t a rtw ork o r o bje ct f r o m t h e t e x tb ook, n otin g a n y
sim ila ritie s o r d if fe re n ces i n s ty le , t e c h n iq u e, a n d i c o n ogra ph y:
A p ie c e f r o m t h e t e x tb ook t h at r e la te s t o t h e r itu al o bje ct p ic tu re d a b ove i s t h e
Kwakw aka w akw B ir d M ask
?. T his w as a m ask u se d d urin g r itu al c e re m onie s t h at
Why Are You Top for Research Papers?
Our writers are Ph.D.-level pros who live for nailing the details—think deep research and razor-sharp arguments. We pair that with top plagiarism tools, free revisions to tweak anything you need, and fast turnarounds that don’t skimp on quality. Your research paper won’t just shine—it’ll set the bar.
was c a rv ed o ut o f w ood a n d p ain te d o n w it h b rig ht c o lo rs . T he m ask w as u se d i n
cere m onie s o f t h e a rra n gem en t o f m arr ia g e.
Trib ute
Id en ti f y t h e w ork o f a rt ( ti tle , d ate , m ed iu m , c u ltu re , l o ca tio n ):
Tem ple M odel, 1 4001521, C era m ic , A zte c , M ex ic o .
Who’s Behind My Essays?
You’re in good hands with degree-holding pros—many rocking Master’s or higher—who’ve crushed our tough vetting tests in writing and their fields. They’re your partners in this, hitting tight deadlines and academic standards with ease, all while tailoring every essay to your exact needs. No matter the topic, they’ve got the chops to make it stellar.
In se rt a n I m age o f t h e w ork o f a rt b elo w ( in clu de t h e U RL):
s:// w w w.m etm use u m .o rg /a rt/ c o lle ctio n/s e arc h /3 16871
Desc rib e a n d a n aly ze t h e s ty le , t e ch niq u e, a n d i c o n ogra ph y o f t h e a rtw ork .
Then , e x pla in h ow i t r e p re se n ts i ts c u ltu ra l c o n te x t:
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100%—we promise! Every paper’s written fresh from scratch—no AI, no copying—just solid research and proper citations from our expert writers. You can even request a plagiarism report to see it’s 95%+ unique, giving you total confidence it’s submission-ready and one-of-a-kind.
This o b je ct p ay s t r ib ute t o A zte c t e m ple s a s i t i s s im ply a r e p lic atio n o f o ne. T his
cera m ic m odel h as s ta ir s l e ad in g u p t o t h e e n tr y w ay o f t h e t e m ple , a s w ell a s a n
are a a b ove t h e e n tr y w ay t h at r e ced es h ig hly . B oth o f t h ese t e ch nic alitie s s y m boliz e
re ach in g a h ig her p ow er. T here h av e b een m an y A zte c t e m ple m odels l ik e t h is o ne
Can You Do Any Citation Style?
Yep—APA, Turabian, IEEE, Chicago, MLA, whatever you throw at us! Our writers nail every detail of your chosen style, matching your guidelines down to the last comma and period. It’s all about making sure your paper fits academic expectations perfectly, no sweat.
cre ate d d ue t o t h eir i d ea o f s p re ad in g t h eir r e lig io n. O ne m ay h av e o ne o f t h ese i n
th eir h o m e t o r e m em ber t h e A zte c c u ltu re a n d t h e a m ount o f t im e a n d e ffo rt t h ey
put i n to t h eir p ra cti c ed r e lig io n.
Com pare t o a r e le va n t a rtw ork o r o bje ct f r o m t h e t e x tb ook, n otin g a n y
Can I Adjust Instructions Later?
Absolutely—life happens, and we’re flexible! Chat with your writer anytime through our system to update details, tweak the focus, or add new requirements, and they’ll pivot fast to keep your paper on point. It’s all about making sure the final draft is exactly what you need, no stress involved.
sim ila ritie s o r d if fe re n ces i n s ty le , t e c h n iq u e, a n d i c o n ogra ph y:
A w ork o f a rt f ro m t h e t e x tb ook t h at c o m pare s t o t h e t r ib ute o bje ct a b ove i s
Pab lit a V ela rd es
?Kosh are s o f T aos
?. ? T his p ie ce i s a w ate rc o lo r p ain tin g o n p ap er
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th at p ay s t r ib ute t o t h e P ueb lo t r ib es c ere m ony o f t h e w in te r s o ls tic e. E ach
fig ure s b rig ht c lo th in g i s s im ila r o f t h ose t h at N ativ e A m eric an s w ould w ear
durin g a t i m e o f c ele b ra tio n l ik e t h e o ne p ic tu re d i n t h e p ain tin g. D ep ic te d i n t h is
pie ce a re a n im als , s a crif ic ed a t t h e t o p o f a p ole , p eo ple d re sse d a s c lo w ns, a n d
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Kats in a d oll s , w hic h a re g iv en t o c h il d re n s o t h at t h ey c an l e arn t h e d if f e re n ce
betw ee n t h ose w ho t h ey s h ould b e f o ll o w in g s p ir itu ally a n d w ho t h ey s h ould n ot.
Offe rin g
Id en ti f y t h e w ork o f a rt ( ti tle , d ate , m ed iu m , c u ltu re , l o ca tio n ):
Sea te d D eity ( M acu ilc o atl)
?, 1 5th -e arly 1 6th c en tu ry , B asa lt, A zte c , M ex ic o .
In se rt a n I m age o f t h e w ork o f a rt b elo w ( in clu de t h e U RL):
Can You Handle Complex Subjects?
For sure! Our writers with advanced degrees dive into any topic—think quantum physics or medieval lit—with deep research and clear, sharp writing. They’ll tailor it to your academic level, ensuring it’s thorough yet easy to follow, no matter how tricky the subject gets.
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Desc rib e a n d a n aly ze t h e s ty le , t e ch niq u e, a n d i c o n ogra ph y o f t h e a rtw ork .
Then , e x pla in h ow i t r e p re se n ts i ts c u ltu ra l c o n te x t:
This o ffe rin g i s a s c u lp tu re m ad e o f b asa lt, h ard en ed v olc an ic m ate ria l u se d o fte n
by t h e A zte cs, t h at d ep ic ts a m an h old in g h is k nees t o h is c h est. T he a rtis t u se s
How Do You Meet Prof Standards?
We stick to your rubric like glue—nailing the structure, depth, and tone your professor wants—then polish it with edits for that extra shine. Our writers know what profs look for, and we double-check every detail to make sure it’s submission-ready and grade-worthy.
bas-re lie f, o r s h all o w r e li e f, t o a ch ie v e t h e l o ok o f d eep s h ad ow s a lo ng t h e f ig ure s
lo w er j a w . T he f ig ure r e p re se n ts a d eity c a lle d t h e L ord o f F iv e S ouls . T here i s a
sn ak e w ith f iv e d ots o n i ts b ack c ir c le d a ro und t h e f ig ure s h ead – t h ese f iv e d ots
are a ss o cia te d w ith b ad h ab its .
What’s Your Editing Like?
Send us your draft and tell us your goals—we’ll refine it, tightening arguments and boosting clarity while keeping your unique voice intact. Our editors work fast, delivering pro-level results that make your paper pop, whether it’s a light touch-up or a deeper rework.
Com pare t o a r e le va n t a rtw ork o r o bje ct f r o m t h e t e x tb ook, n otin g a n y
sim ila ritie s o r d if fe re n ces i n s ty le , t e c h n iq u e, a n d i c o n ogra ph y:
A w ork o f a rt f ro m t h e t e x tb ook s im ila r t o t h e p ie ce s h ow n a b ove i s t h e
?Lla m a
? o f
Can You Pick My Topic?
Yes—we’ve got your back! We’ll brainstorm fresh, workable ideas tailored to your assignment, picking ones that spark interest and fit the scope. You choose the winner, and we’ll turn it into a standout paper that’s all yours.
th e I n ca t r ib e. T his p ie ce i s m ad e o f g old a n d s ilv er, w hic h i s c o m mon f o r t h e
In cas b ecau se t h ey h ad m ore g old a n d s il v er i n t h eir p osse ssio n t h an c lo th .
Com posit io n-w is e , t h e p ie ce i s v ery s im ple d esp ite t h e b la n ket o n t h e l la m as
back . T he s ilv er o n t h e l la m a r e p re se n ts t h e m oons t e ars a n d t h e I n cas u se d
offe rin gs l ik e t h ese e v ery m orn in g a s a s a c rif ic e t o t h e s u n. T he t r ib e b elie v ed t h at
th e l la m a s y m boliz es f e rtil ity a n d h as a u niq ue a sso cia tio n w ith t h e s u n a n d t h e
ra in .
Utilit a ria n
Obje ct
Id en ti f y t h e w ork o f a rt ( ti tle , d ate , m ed iu m , c u ltu re , l o ca tio n ):
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Snow S hoes, 1 891, W ood/f ib er/le ath er, N orth A m eric an I n dia n , N /A .
In se rt a n I m age o f t h e w ork o f a rt b elo w ( in clu de t h e U RL):
s:// f il e s.d m a.o rg /m ultim ed ia /im ag es/6 8316827110889763_m ed iu m .j p g
Desc rib e a n d a n aly ze t h e s ty le , t e ch niq u e, a n d i c o n ogra ph y o f t h e a rtw ork .
Then , e x pla in h ow i t r e p re se n ts i ts c u ltu ra l c o n te x t:
The s n ow s h oes a b ove w ere u ti liz e d a s a u se fu l a rtic le b y N orth A m eric an I n dia n s,
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in ste ad o f j u st f o r a esth etic p urp ose s. A s s im ple a s i t s o unds, t h e p urp ose o f t h ese
hom em ad e s h oes w ere t o h elp p eo ple w alk t h ro ugh t h e d en se s n ow d urin g t h e
win te rti m e w ith out t r ip pin g. T he m ate ria ls u se d i n clu de w ood, l e ath er, a n d f ib er –
all f o un d i n n atu re o r m ad e f ro m a n im al h id e t h at t h e n ativ e p eo ple h unte d f o r,
th em se lv es.
Com pare t o a r e le va n t a rtw ork o r o bje ct f r o m t h e t e x tb ook, n otin g a n y
sim ila ritie s o r d if fe re n ces i n s ty le , t e c h n iq u e, a n d i c o n ogra ph y:
A w ork o f a rt f ro m t h e t e x tb ook s im ila r t o t h e p ie ce s h ow n a b ove i s t h e
?Taos
Can You Add Data or Graphs?
Absolutely—we’ll weave in sharp analysis or eye-catching visuals like stats and charts to level up your paper. Whether it’s crunching numbers or designing a graph, our writers make it professional and impactful, tailored to your topic.
Pueb lo
? m ad e b y t h e P ueb lo t r ib e. T hese w ere h ouse s m ad e o f a d obe, h av in g t h e
purp ose o f s h elt e r f o r p eo ple o f t h is t r ib e. T he l a d ders a ro und t h e a re a p ro vid ed
peo ple a cc ess t o t h e r o ofs o r h ig her f lo ors o f t h e s h elte r. T he r o of w as a n a re a
ofte n u se d b y t r ib e m em bers t o h ost c o m munal g ath erin gs. T his a rc h ite ctu re u se s
new m ed ia c o m bin ed w ith t h e c re ati o n o f t r a d itio nal s tr u ctu re s.
A w ork t h at
sh ow s a c rea tio n
myth o r
co sm olo gy
Id en ti f y t h e w ork o f a rt ( ti tle , d ate , m ed iu m , c u ltu re , l o ca tio n ):
Spid er M onkey w ith W in d G od R eg alia
?, 1 3th 16th c en tu ry , S to ne, A zte c , M ex ic o .
In se rt a n I m age o f t h e w ork o f a rt b elo w ( in clu de t h e U RL):
s:// w w w.m etm use u m .o rg /a rt/ c o lle ctio n/s e arc h /7 65334
How Do You Manage Big Projects?
We tackle each chunk with precision, keeping quality consistent and deadlines on track from start to finish. Whether it’s a dissertation or a multi-part essay, we stay in sync with you, delivering top-notch work every step of the way.
Desc rib e a n d a n aly ze t h e s ty le , t e ch niq u e, a n d i c o n ogra ph y o f t h e a rtw ork .
Then , e x pla in h ow i t r e p re se n ts i ts c u ltu ra l c o n te x t:
This A zte c a rtw ork r e p re se n ts a m yth olo gic al c re atu re t h at h as a c o rr e la tio n w ith
th e c o sm olo gy o f t h e t r ib es r e lig io us b elie fs . T he a n im al s c u lp te d h ere i s a sp id er
monkey , w hic h w as a n m ean in gfu l s y m bol a ll a cro ss M eso am eric a d urin g t h is
Do You Follow Global Academic Rules?
Yes—we’ve got it down! Our writers switch seamlessly between UK, US, Australian, or any other standards, matching your school’s exact expectations. Your paper will feel native to your system, polished and ready for wherever you’re studying.
tim e. T his p ie ces r ig id s u rfa ce h elp s t o e m phasiz e t h e i d ea o f h ostility . T he a n im al
wears a c o lla r, e ar o rn am en ts , w ris t a n d a n kle b ra cele ts t h at a re a ll s im ila r t o t h ose
th at t h e A zte cs w ould w ea r. H is p ositio n d ep ic ts h im s ittin g p erc h ed , r e ach in g
aro un d h im se lf t o g ra b h is o w n t a il, w ith h is t e eth o ut a s t h ough h e i s g ro w lin g. A ll
of t h is b ody l a n guag e r e p re se n ts a g gre ssio n a n d s y m boliz es t h e W in d G od. T he
What is a progressive delivery and how does it work?
Progressive delivery is a cool option where we send your paper in chunks—perfect for big projects like theses or dissertations. You can even pay for it in installments. It’s just 10% extra on your order price, but the perks are worth it. You’ll stay in closer touch with your writer and can give feedback on each part before they move to the next. That way, you’re in the driver’s seat, making sure everything lines up with what you need. It saves time too—your writer can tweak things based on your notes without having to redo huge sections later.
base o f t h is s c u lp tu re i m ita te s t h e r a tt le o f a s e rp en t.
Com pare t o a r e le va n t a rtw ork o r o bje ct f r o m t h e t e x tb ook, n otin g a n y
sim ila ritie s o r d if fe re n ces i n s ty le , t e c h n iq u e, a n d i c o n ogra ph y:
A w ork o f a rt f ro m t h e t e x tb ook s im ila r t o t h e p ie ce s h ow n a b ove i s
I received some comments from my teacher. Can you help me with them?
Absolutely! If your teacher’s got feedback, you can request a free revision within 7 days of approving your paper—just hit the revision request button on your personal order page. Want a different writer to take a crack at it? You can ask for that too, though we might need an extra 12 hours to line someone up. After that 7-day window, free revisions wrap up, but you can still go for a paid minor or major revision (details are on your order page). What if I’m not satisfied with my order? If your paper needs some tweaks, you’ve got that free 7-day revision window after approval—just use the “Revision” button on your page. Once those 7 days are up, paid revision options kick in, and the cost depends on how much needs fixing. Chat with our support team to figure out the best way forward. If you feel the writer missed the mark on your instructions and the quality’s off, let us know—we’ll dig in and sort it out. If revisions don’t cut it, you can ask for a refund. Our dispute team will look into it and figure out what we can offer. Check out our money-back guarantee page for the full scoop.
?The G oddess
Coatlic u e
?, a s c u lp tu re t h at i s k now n a s sh e o f t h e s e rp en t s k ir t b ecau se s h e w ears
a s k ir t o f e n ta n gle d s n ak es. T he f ig ure s h ow n w as k now n t o h av e n ot s u rv iv ed a n
en co unte r o f m urd er, h en ce w hy a re t h ere a re s y m bols o f g ush in g b lo od a ro und
her b o dy. H er f e et h av e c la w s, s h e w ea rs a s k ull a ro und h er n eck la ce m ad e o f
han ds, a n d h er f o rm i s i m men se . A ll o ff t h ese c h ara cte ris tic s s y m boliz e d eath o r
th e i d ea t o s ta y a w ay f ro m h er b ecau se s h e i s p ow erfu l.
Anim al i m agery
Id en ti f y t h e w ork o f a rt ( ti tle , d ate , m ed iu m , c u ltu re , l o ca tio n ):
Vultu re V esse l
?, 1 2001521, C era m ic , A zte c, M ex ic o .
In se rt a n I m age o f t h e w ork o f a rt b elo w ( in clu de t h e U RL):
s:// w w w.m etm use u m .o rg /a rt/ c o lle ctio n/s e arc h /3 14365
Desc rib e a n d a n aly ze t h e s ty le , t e ch niq u e, a n d i c o n ogra ph y o f t h e a rtw ork .
Then , e x pla in h ow i t r e p re se n ts i ts c u ltu ra l c o n te x t:
This A zte c w ork o f a rt p ortr a y s a v ultu re h av in g t h e f u nctio n o f a v esse l. T he
dif fe re n t c o lo rs u se d t h ro ughout t h is p ie ce c re ate s c o ntr a st b etw een t h e d if f e re n t
are as, a s d oes t h e s h in y s u rf a ce v ers u s t h e m atte s u rf a ce. B ir d s w ere o fte n t h ought
of a s m esse n gers b etw een t h e l iv in g w orld a n d a h ig her w orld i n t h is t r ib e. T he
vultu re i n s p ecif ic i s k now n t o k il l f o r f o od, w hic h s y m boliz es h um an s a crif ic e.
This v esse l w as t h ought t o b e u se d d urin g c e re m onie s t h at w as f o cu se d a ro und t h e
bir d a n d i t s a ctio ns o r p urp ose a s a n a n im al.
Com pare t o a r e le va n t a rtw ork o r o bje ct f r o m t h e t e x tb ook, n otin g a n y
sim ila ritie s o r d if fe re n ces i n s ty le , t e c h n iq u e, a n d i c o n ogra ph y:
A w ork o f a rt f ro m t h e t e x tb ook s im ila r t o t h e p ie ce s h ow n a b ove i s t h e
?Griz z ly
Bea r H ouse -P arti tio n S cre en
?. T he p eo ple o f t h e N orth w est C oast b elie v ed t h at
th ey a s h um an s e v olv ed f ro m a n im al- h um an s p ecie s, h en ce w hy t h ey u se s o m uch
an im al i m ag ery t h ro ughout t h eir a rtw ork . T his p ie ce i s m ad e o f l a rg e p la n ks f ro m
North w est C oast p eo ple s c o m m unal h ouse s. T he h ole i n t h e b otto m o f t h e
co m positi o n i s n ot o nly t h e b ea rs v ag in a, b ut a ls o a h ole t o p ut o nes h ead t h ro ugh
– t h is s y m boliz es h um an b ir th f ro m a n a n im al, l ik e t h e A zte cs b elie v ed t h eir
an cesto rs t o h av e d one. S om e a d ded i m ag ery a m ongst t h is p ie ce i s t h at t h ere a re
sm alle r b ea rs a ll t h ro ughout t h e p ie ce , r e p re se n tin g h ow m ultip le p ie ces o f o ne
pers o n a re m ad e u p b y t h e c h ara cte ris tic s o f o th ers .
Rep rese n ta tio n
of a d eit y
Id en ti f y t h e w ork o f a rt ( ti tle , d ate , m ed iu m , c u ltu re , l o ca tio n ):
Fig ure V esse l
?, 1 6th c en tu ry , C era m ic , H uaste c, V era cru z.
In se rt a n I m age o f t h e w ork o f a rt b elo w ( in clu de t h e U RL):
s:// w w w.m etm use u m .o rg /a rt/ c o lle ctio n/s e arc h /3 10589
Desc rib e a n d a n aly ze t h e s ty le , t e ch niq u e, a n d i c o n ogra ph y o f t h e a rtw ork .
Then , e x pla in h ow i t r e p re se n ts i ts c u ltu ra l c o n te x t:
This a rtw ork r e p re se n ts a d eity i n m an y w ay s. T he m an s m outh i s s ta in ed , w hic h
is a c le ar r e p re se n ta tio n o f s ig nif y in g a d eity . T he c era m ic i s c o vere d w ith a
so ft- c o lo re d s li p f o r s h in e a n d p atte rn s c o ver h is b ody l ik e t a tto os, w hic h e ach
re p re se n t s o m eth in g d if f e re n t. T he f ig ure s e y es a re s e en a s t h ough t h ey a re r o llin g
to t h e b ack o f h is h ead t o d ep ic t t h at h e i s i n a d aze o f s o m e s o rt. T his m ost l ik ely
co rre la te s t o i t s u se , w hic h i s t o p our l iq uid s s u ch a s s tr o ng a lc o hol i n o rd er t o
hav e a s tr o ng c o m m unic atio n w ith t h e G ods.
Com pare t o a r e le va n t a rtw ork o r o bje ct f r o m t h e t e x tb ook, n otin g a n y
sim ila ritie s o r d if fe re n ces i n s ty le , t e c h n iq u e, a n d i c o n ogra ph y:
A w ork o f a rt f ro m t h e t e x tb ook s im ila r t o t h e p ie ce s h ow n a b ove i s t h e
?Cale n dar
Sto ne
?. T his i s a f u nctio nal p ie ce t h at t h e A zte cs u se d t o c alc u la te t im e. T he d is k i s
not o nly m ean t t o l o ok l i k e t h e S un, b ut u se s t h e S un t o c re ate s h ad ow s o n i ts
bas-re lie f s u rfa ce t o d ep ic t t h e t im e. T his l o w s h allo w r e lie f i s u se d b ecau se i t
cre ate s d ee p er s h ad ow s. T he p ie c e i s m ad e o f v olc an ic b asa lt, w hic h w as t h e
Azte c s p re fe rre d m ed iu m . T here i s a f a ce i n t h e c en te r o f t h e c o m positio n t h at h as
a p ro tr u din g t o ngue, c la w ed h an ds, a n d l a rg e e ars w hic h w ere a ll k now n t o
re p re se n t t h e G od o f t h e S un. T he v ie w er m ay b e a b le t o i n fe r t h at t h e A zte cs f e lt
sig nif ic an ce w ith t h e n um ber f o ur, a s t h e c ale n dar i s o rg an iz ed i n to f o ur q uad ra n ts
in m an y w ay s. O ne e x am ple o f t h is i s t h at i t d is p la y s t h e f o ur t h in gs t h at t h ey
belie v ed t o r a v ag ed t h e e arth , w hic h w as w in d, w ild a n im als , f lo ods, a n d
volc a n oes. T here i s m ore i m ag ery t h ro ughout t h e p ie ce a n d t h e d if fe re n t q uad ra n ts
as w ell.
Com mem ora tio n
of a n
ach ie v em en t o r
an e x p lo it
Id en ti f y t h e w ork o f a rt ( ti tle , d ate , m ed iu m , c u ltu re , l o ca tio n ):
Serp en t L abre t w it h A rtic u la te d T ongue
?, 1 3001521, G old A zte c, C en tr a l M ex ic o .
In se rt a n I m age o f t h e w ork o f a rt b elo w ( in clu de t h e U RL):
s:// w w w.m etm use u m .o rg /a rt/ c o lle ctio n/s e arc h /3 21343
Desc rib e a n d a n aly ze t h e s ty le , t e ch niq u e, a n d i c o n ogra ph y o f t h e a rtw ork .
Then , e x pla in h ow i t r e p re se n ts i ts c u ltu ra l c o n te x t:
This a rtw ork r e p re se n ts t h e c o m mem ora tio n o f a n a ch ie v em en t, a s i t w as
so m etim es a w ard ed t o p eo ple i n v ie w o f s p ecif ic a cco m plis h m en ts w hen i t c o m es
to w ar. T his m ate ria l, c o lo r, a n d l u ste r a ll g iv e e m phasis t o t h e i d ea t h at w hom ev er
is w ea rin g t h e p ie ce w as p ow erfu l, w ealth y, o r d ese rv in g o f c o ngra tu la tio ns f o r a n
acco m pli s h m en t. T he s n ak es h ea d i n clu des a c o m pellin g j a w w ith s h arp t e eth a n d
a f e w f a n gs. T his p ie ce i s m oveab le a n d w as t h ought t o m ove w ith t h e m ovem en t
of w ho m ev er w as w earin g i t, u su ally n oble s w ho w ould o fte n w ear o n t h eir l o w er
lip ( in se rte d t h ro ugh t h e l o w er l ip . l ik e a p ie rc in g). G old i s u se d a s t h e m ate ria l f o r
th is a cc esso ry , w hic h w as t h ought o f a s a g if t f ro m G od.
Com pare t o a r e le va n t a rtw ork o r o bje ct f r o m t h e t e x tb ook, n otin g a n y
sim ila ritie s o r d if fe re n ces i n s ty le , t e c h n iq u e, a n d i c o n ogra ph y:
A w ork o f a rt f ro m t h e t e x tb ook s im ila r t o t h e p ie ce s h ow n a b ove i s t h e
?Battl e
Scen e, H id e P ain ti n g
? o f t h e p eo ple o f t h e G re at P la in s. T his p ie ce i s t h e p rim al
docu m en ta tio n o f b uffa lo h id e r o bes. I llu str a te d o n t h is h id e i s a b attle o f t h e
Man dan a n d t h e S io ux. T he l ig ht b ack gro und c re ate s a c o ntr a st w ith t h e d ark d ye
use d t o d ep ic t t h e p eo ple p ain te d o n t h e h id e. T his p ie ce i s u se d d urin g c ere m onie s
of a ch ie v em en t, w here t h e h id e i s l a id o ver t h e m an s s h ould ers w hose
acco m pli s h m en ts a re b ein g c ele b ra te d . W ith t h e h id e o n h is s h ould ers , t h e m an i s
th ough t t o c h an ge i n to a l iv in g p ortr a y al o f h is a d ven tu re s.
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