TYPOGRAPHY in Fashion Magazines

TYPOGRAPHY MAKES A GOOD FASHION MAGAZINE.

 

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CONTENTS

III Introduction IV Vogue

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V Didot VI Bazaar VII Elle

Didones

cosmopolitian X Brackets etc XI Interview

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XII References

“If you invent yourself, you love yourself. The idea of inventing yourself is creating the most ideal image that you could imagine.” 1

Richard Hell was referring to the constructs of fashion and how the 1980s New York punk scene, the clothing choices, DIY haircut and level of attiitude helped you clarify who you were to the world listening. Similarly, typography tells a story and expresses.

It is both invisible and seen by viewers. Just like in fashion, type surrounds us, and it is hard to ignore in everyday life. Fashion magazines have always been noticed for beautiful covers, harmonious layouts and luxury advertisements, fashionable fonts turned into stylish typography makes the image appear more high end.

A lot of popular fashion magazines use a standard serif font such as Didot or Bodoni. However more and more magazines are trying out new and exciting custom made fonts.

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The last few years fashion magazines like Vogue, Elle, Bazaar, GQ and Cosmopolitan have all started using more exciting, intrequing typefaces, some even moving away from the normal traditional fonts.

When it comes to a typeface the proportion of the letters is one of the most important aspects, also the contrast between strokes and the serifs of the letters are what is needed to achieve the high fashion modern look. High contrast between the thick and the thin lines next to a beautiful model is the perfect formula for a timeless spread.

In making fashion magazine pages. Words like feminine,delicate, beautifuland

Elegant are used. Similarly, creative directors, art directors and clients often request type that is beautiful, delicate and feminine.

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But what does that actually mean?

The majority of the time, these words are describing a high-contrast serif typeface, one that typically utilizes extremely thin stroke widths on the upstrokes and, by comparison, extremely thick stroke widths on the downstrokes. These words are describing ‘Didones’, which is a typeface that has the structure of Didot or Bodoni.

AaBbCcDdEeFfGg

Didot regular

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1 – Interview, Richard Hell & Lester Bangs, 1980s, Commarts.com

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