Gabriel Garcia Marquez Essay Research Paper Gabriel

Gabriel Garcia Marquez Essay, Research Paper

Gabriel Garcia Marquez, a novelist, short

narrative author, journalist, critic, and film writer, has

had international acknowledgment for many old ages. He is

included among the group of South American

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authors who rose to prominence during the sixtiess, a

clip frequently referred to as the? roar? of Latin

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American Literature. In his short narratives and

novels, Leaf Storm, One Hundred Old ages of

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Solitude, Chronicle of a Death Foretold, and The

Fall of the Patriarch, he utilizes his

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background, and personal experiences, which

makes his novels so popular.

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Garcia Marquez was born in Aracataca,

Colombia, on March 6, 1928. He lived with his

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grandparents for the first eight old ages of his life. The

storytelling of his grandma and the myths and

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superstitious notions of the townsfolk all played major

functions in determining his imaginativeness. He enrolled in the

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University of Bogota in 1947 to analyze jurisprudence, but

when it was shut down in 1948 he transferred to the

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University of Cartagna, working as a journalist for

the newspaper El Universal.

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Giving himself to

news media, he ended his jurisprudence surveies in 1950 and

2

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moved to Barranquilla to work for the day-to-day paper

El Heraldo. He so began to compose short narratives

that were published in regional periodicals, and

shortly after became acquainted with the plants of

writers such as Franz Kafa, William Faulker,

Virginia Woolf, and James Joyce.

Populating with his grandparents had a large

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consequence on his ulterior old ages and in his novels, particularly

the house in which they lived. Marquez remembers

his grandparents? house as a brooding topographic point of the

dead, instead than the life. In that house there was

an empty room where his aunt Petra and uncle

Lazarus had died. He said? My grandparents

would sit me down, at six in the eventide, in a

corner, and say to me? Don? t move from here,

because, if you do, Aunt Petra, who is in her room

tungsten

sick come or. . . ` I ever stayed sitting?

( Minta 34 ) . In the same mode, his first novel,

Leaf Storm, featured a small male child as a character that

through the whole novel sat in a little chair.

3

History of a Death Foretold, trades with an

episode from Garcia Marquez yesteryear, and trades with

the slaying of a friend in Sucre in 1958

( Gabriel 23 ) . It tells about the? codifications that work forces

enforce on adult females, and adult females on themselves ; the

funny impressions of award that can rule an

isolated community ; the resistless impulse toward

force ; and the psychological science of mass complicity?

( Marquez 1 ) .

Garcia Marquez manner of authorship is

what some call? charming? ( Gabriel 3 19 ) . His

plants are normally attributed to his inventive

blending of history, political relations, societal pragmatism, and

phantasy. He frequently makes usage of techniques of thaumaturgy

pragmatism in his plants with descriptive events and

world which, he implies, ? define homo

being? ( Gabriel 3 1 ) . One illustration of that is

in One Hundred Old ages of Solitude a babe is born

with a? hogs tail? ( Gabriel 1 69 ) . His usual

enthusiastic critical response is largely because of

this.

In decision, Gabriel Garcia Marquez, makes a large feeling in

peoples ideas. He is a novelist who uses personal tests and trials

and blend them with phantasy to do everyone of his books more interesting.

For these grounds the critics praise him and he remains popular.

Bibliography

? Gabriel Garcia Marquez. ? Encyclopedia of World

Biography. Detroit: Gale Research, 1998.

? Gabriel Garcia Marquez. ? The Groiler Library of

International Biographies. New York: The Philip

Leif Group Inc, 1996.

? Gabriel Garcia Marquez. ? Detecting Writers

Faculties. Detroit: Gale Research, 1996.

Marquez, Gabriel Garcia. Chronicle of A Death

Foretold. New York: Alfred A. Knoff, 1982.

Minta, Stephen. Garcia Marquez: Writer of

Columbia. New York: Harper and Row, 1987.

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