Elizabethen Fashain Essay Research Paper Elizabethan Fashion

Elizabethen Fashain Essay, Research Paper

Elizabethan Fashion

The Elizabethan Era was a clip that reflect the temper and values of the 16th

century though the usage of manner. It was a period in which a batch of originality

and creativeness was apparent was used to make new manners of frock ( Black & A ;

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Garland 16 ) . The Manner in Elizabethan England at this clip reflected the

values and Ideals of the epoch. It was an Era that based everything on the Great

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Chain Of Being ; which was a construct that everyone had a place in the

societal standings of society that was given to him or her by God ( Leed 1 ) .

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The

citizens in England during the sixteenth century had their ordered Stationss in life,

and their vesture reflected who they were in society. Society was broken up

into three major classs ; provincials, in-between category and Lords. If your

vesture reflected the position of a different category so yours, you would be fined

under Sumptuary Laws ( Leed 1 ) . Elizabethan Society was a society really

different from today, but like today, the manner reflected the temper and

influences on society. The Manner that was displayed in Elizabethan England

was shaped by the impacts of Queen Elizabeth, the Spanish influence,

Christopher Columbus, their desires for young person and beauty, and the strict

societal order. With these five influences the difference of the manner of vesture

worn in upper and lower category society stood out. The wealthy were able to

afford the epicurean points the new initiation in the universe brought with it. The

foreign expression was the expression that society wanted to accomplish during the

Elizabethan epoch, for it reflected the values of Queen Elizabeth, who happened

to be the ideal adult females of the epoch. Thingss that are non governable sometimes

hold an influence on society that is non expected. One consequence that should hold

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been expected was that Queen Elizabeth would hold an impacted on the

society that she gave her name to. The one thing that wasn & # 8217 ; T expected

nevertheless was the extent to which Queen Elizabeth would act upon manner.

Queen Elizabeth was passionate about manner and she spread her love for it

through out the land. One of Queen Elizabeth & # 8217 ; s endowments was her ability to

utilize any state of affairs to her political advantage ( Boucher 17 ) . She wanted to be

seen as a individual with power and capableness and she thought rich fabrics would

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aid obtain that sentiment. The rich cloths and gems displayed unbelievable

wealth, power and prestigiousness ( Leed 1 ) . Wealth and power were non the lone

thing Queen Elizabeth achieved with her closet. She had a great fancy

for foreign frock and this had an unbelievable impact on English manner of the

times. England admired Queen Elizabeth & # 8217 ; s manner and tried to copy it to their

ability. She set the stance for what manner should be, and most upper category

adult females followed her lead. This gave Queen Elizabeth the ability to make a

piece of manner that would ever be associated with her epoch. The Spanish

farthingale belonged to Katherine of Aragon, even though it was

preponderantly scene through out the sixteenth century, but the Ruff belonged to

her ( Contini 130 ) . She made them a chef-d’oeuvre of the ain doing them

higher and larger. She had the technological progresss she needed in order to

give her era the recognition it desired for the progresss she made in manner.

England became the state cognize for its lacing devising, and the innovation of

amylum helped her achieve great tallness on her frills. By the clip of Queen

Elizabeth & # 8217 ; s decease, the expression of manner had alterations wholly. The Tudor manner

had disappeared and the International expression had arrived. Queen Elizabeth paid

great attending to detail in every point she wore. She consulted many interior decorators

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and sent forms all over Europe in order to hold outfits that reflected the

whole of Europe and gave her an unbelievable sense of power. Queen Elizabeth

started the arrested development with foreign points. She had a great consequence on Elizabethan

England, for non merely was the manner of manner named after her, but she besides

put the presence for what the remainder of the society wanted. She was the centre

of attending and everyone wanted to be like her to their capableness, for she

knew manner, and how to palliate it with foreign points, and gems.

Exploration is a powerful thing. The manner of the sixteenth century reflected the

great involvement in travel and geographic expedition as a consequence of Christopher Columbus

and his sailing the ocean blue. It was an epoch that dedicated itself to the hunt

of new markets and natural stuffs, with the end of new alien manners of

frock in head ( Tortora & A ; Eubank 126 ) . Christopher Columbus & # 8217 ; s establishing & # 8217 ; s

left the universe funny, particularly England. England had a new involvement in

happening new stuffs and methods that they ne’er desired before. If an point

was new, it was valuable and wanted by many. Through the sixteenth century,

Spanish manner was individualized and people liked that. The drastic spread

of Spanish costume through Europe came from the prestigiousness the Spaniards

gained from the finds of Christopher Columbus who, although did non

happen an immediate sea path to transport silk, recognized the immerse flow of

cherished metals from the Americans to Spain ( Boucher 131 ) . This gave

Elizabethans a sense of pride that they could be different but still stylish.

This is why England was infatuated with it. But however the Spanish manner

was non a manner of its ain. It had gone through many influences itself. It had

taken traits form other states like Germany France and Italy and

combined it together to do a manner that everybody wanted. Spain had

incorporated clothing store from Venice and Germany, Gems and combs

from France, all right linen signifier Flanders, and velvet or Milanese gold yarn

signifier Italy ( Leed 3 ) . They had taken every states manner and created the

ideal foreign manner that was greatly desired at this clip as a consequence of

& lt ;<
p>Christopher Columbus. This manner appealed to Queen Elizabeth and hence

the remainder of the Elizabethan society wanted it. Because of the cost of importation,

the foreign manner was a manner that belonged to the wealthy in England and it

aid determines the upper Lords from merely the Lords. The desire to suit an

ideal is a desire that is present in all societies and in all epochs. Everyone wants

to be the perfect image of the clip and in the Elizabethan epoch they helped

achieve that ideal through the agencies of serious makeup. The ideal of the epoch

was to be pale tegument, with vermilion coloured lips and cheques, with just hair

( Leed 1 ) . All these ideals could be achieved with the usage of pigments but

pigmenting was really expensive. The affluent enjoyed the fact that they were

the lone 1s in their society who could save the clip and afford the

processs it took to suit the ideal, and this was on intent. The ideal

Elizabethan should non merely be reasonably but she should be respected and rich

and that should merely be gettable by the wealthy, for if everyone could

accomplish it, the drastic separation between the upper and lower categories would

be loss and one time everyone can make the ideal the ideal alterations. This desire

to be immature and beautiful effected Elizabethan manner drastically. For the

desire to be the ideal was besides expressed through what they wore. For the

ideal adult females in society wore fabrics that decreased her size and made her the

ptyalizing image of beauty. Societies standings in Elizabethan times were straight

related to wealth. Members who where included in the upper category society

were able to expose their flair for manner every bit good as wealth through the usage of

accoutrements, jewellery, the ornament of their fabrics and most significantly the

manners of vesture they wore. With the new initiation & # 8217 ; s of the clip the wealthy

was able to palliate their flair through beautiful embellishment, new stuffs

and the application of gems. They began to utilize more and more luxuriant

forms that had been seen in other topographic points in the universe. This separated the

upper category from non merely the lower category, but besides the in-between category, for all the

new finds of the universe were highly expensive. The upper category was

able to afford new cloths like natural silk, Satin, new weaves of linen, and

cloths with different pigmenting. They took their old forms and turned

them into chef-d’oeuvres, adding pearls, treasures and lacing to them. The Lords

had category and it was displayed through what they wore. They were able to

reflect the ideal image of Elizabethan society through what they wore. Manner

reflects the temper of an epoch, and during the sixteenth century it did precisely that. It

reflected the rigorous societal order that took topographic point in England, which created

high quality among the upper category. Manner was intended to delight the

senses, the sense of sight by coloring material and form, the sense of tough by the

vitamin D? cor of the cloth, and the combination of different textures and stuffs,

and the sense of odor by aroma ( Boucher 16 ) . Elizabethan Fashion did

delight the senses, for the attending to item was so great that touching an

outfit could bring around many senses, and possibly even the psyche. Outfits where

designed particularly for each individual, taking in to see his or her history

and desires. They made the outfits with attention, doing them a portion of the

individual who they belong to. An outfit could capture many desires and

memories, through the usage of scenting, attaching gems and embroidering.

Manner is a manner in which people express their feelings and tempers. But

manner can besides reflect what wants to be seen and the ideals and values of a

society. Manner reflected these ideals and values through the usage of foreign

cloths, accoutrements, ornament and serious makeup as the consequence of

Christopher Columbus, and Queen Elizabeth I influence. During the 16th

century, Fashion made the upper category, for your wealth was determined by

what you could afford to have on. It was a clip much different from today, but

still, the Elizabethan society expressed many ascetic desires that were

captured so good through the usage of manner. Work Cited 1. Black, Anderson

J. , and Garland, Madge. A History of Fashion. New York: Wiliam Morrow

and Company Inc. , 1975. 2. Boucher, Francois. 20,000 old ages of Fashion.

New York: Harry N. Abrams Inc. Publishers, 1987. 3. Contini, Mila.

Fashion- From Ancient Egypt to the Present Day. New York: The Odyssey

Imperativeness, 1965. 4. Eubank, Kieth. , and Tortora, Phyllis. A Survey of Historic

Costume. New York: Fairchild Publications, 1990. 5. Leed, Drea Queen

Elizabeth & # 8217 ; s Impact on Elizabethan Fashion ( Internet ) Elizabethan Costume

Homepage February 2nd, 2000 Uniform resource locator: 6. Leed, Drea Elizabethan Make-up

101 ( Internet ) Elizabethan Costume Homepage February 2nd, 2000 Uniform resource locator:

Bibliography 1. Ashelford, Jane. The Ocular History of Costume- The 16th

Century. New York: Drama Book Publishers, 1983. 2. Boyce, Charels.

Shakespeare A to Z. New York: A Roundtable Press book ; Facts on File,

1990. 3. Chartier, Roger. , and Goldhammer, Arthur. A History of Private

Life-Passions of the Renaissance. Massachusetts: The Belknap Press of

Harvard University Press, 1989. 4. Davenport, Milla. The Book Of

Costume. New York: Crown Publishers, Inc. , 1948. 5. Elizabethan

Embellishments ( Internet ) The Costume Homepage February 1st, 2000 Uniform resource locator:

6. Leed, Drea. Women & # 8217 ; s Clothing for the lower orders ( Internet ) The

Elizabethan Costume Homepage February 1st, 2000 Uniform resource locator: 7. Racinet,

Albert. The Historical Encyclopedia of Costumes. New York: Facts on File

Publications, 1988. 8. Vecellio, Cesare. Vecellios Renaissance Costume

Book. New York: Dover Publications, Inc. , 1977. 9. Weiditz, Christoph.

Authentic Everyday frock of the Renaissance. New York: Capital of delaware

Publications, 1994. 10. Wilcox, R. Turner. A History of Fashion. New York:

Charles Scribners boies, 1969.

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